{"id":20,"date":"2013-02-01T09:57:39","date_gmt":"2013-02-01T09:57:39","guid":{"rendered":"http:\/\/juanjomena.korpoweb.com\/?p=20"},"modified":"2015-12-08T14:08:52","modified_gmt":"2015-12-08T14:08:52","slug":"turina-orchestral-works","status":"publish","type":"post","link":"https:\/\/juanjomena.com\/en\/discografia\/turina-orchestral-works\/","title":{"rendered":"Turina: Orchestral works"},"content":{"rendered":"

<\/p>\n

This download forms part of Chandos\u2019 ongoing Spanish Music series, performed by the BBC Philharmonic and its Chief Conductor, Juanjo Mena. Here the focus is on the orchestral works of the composer Joaqu\u00edn Turina, one of the two leading Spanish composers of the twentieth century, the other being Manuel de Falla. Turina was a prolific composer, who in his sixty-seven years wrote more than one hundred works, in which he explored a wide range of classical genres, from symphonic music, solo piano pieces, and vocal works to ballet scores and chamber music. Most of these show the influences of traditional Andalusian music \u2013 often conveying feelings of rapture and immense exaltation \u2013 while also owing a debt to a range of French composers.<\/p>\n

\n Reviews<\/a> | Tracks<\/a>\n<\/div>\n

Reviews<\/h2>\n
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\u201c…In all the music on this well-filled disc you will hear a style of Impressionism that is not cool and misty but ablaze with heat and light. The BBC Philharmonic relish Turina\u2019s textures under Mena\u2019s idiomatic direction, and typically rich Chandos sound is everything one could wish. This is well worth collecting alongside Mena\u2019s previous discs of music by Falla and Montsalvatge…\u201d<\/p>\n

Phillip Scott \u2013 Limelightmagazine.com.au \u2013 30 May 2013<\/strong><\/p>\n<\/p><\/div>\n

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\u00a0“…With the exception of the moderately paced Saeta the remaining works generally inhabit a similar sound-world. Turina\u2019s highly rhythmic and vivid coloration combined with his passionate approach invariably produce steamy evocations of baking Spanish sunshine. With infectious enjoyment Mena and the BBC Phil ideally capture the expressive mood of these joyous scores. Produced at MediaCity UK, in Salford this open and clear recording ticks all the right boxes.”<\/p>\n

Michael Cookson – MusicWeb-International.com – May 2013<\/strong><\/p>\n<\/p><\/div>\n

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\u201c…The three vocal items here are novelties … They are sung with ravishing sweetness of tone by Clara Mouriz, who sounds born to sing them… The orchestra\u2019s playing and Chandos\u2019s sumptuous sound place this new disc in the front rank …\u201d<\/p>\n

Guy Rickards \u2013 Gramophone magazine \u2013 April 2013<\/strong><\/p>\n<\/p><\/div>\n

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“… As an introduction to an unfairly neglected composer, this disc couldn\u2019t be bettered. It\u2019s also very nicely recorded.”<\/p>\n

Graham Rickson – theartsdesk.com – 9 March 2013<\/strong><\/p>\n<\/p><\/div>\n

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“… \u00a0An early contender for one of my discs of the year and if this does not feature in other similar lists and awards I will be surprised. Simply magnificent and a must-hear for all those with a penchant for all things Spanish and ripely orchestrated.”<\/p>\n

Nick Barnard – MusicWeb-International.com – March 2013<\/strong><\/p>\n<\/p><\/div>\n

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“… Warmly recommended.”<\/p>\n

Nigel Simeone – International Record Review – February 2013<\/strong><\/p>\n<\/div>\n

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Tracks<\/h2>\n\n\n\n
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CD available From: 01 February 2013<\/div>\n<\/td>\n<\/tr>\n
<\/p>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nJoaquin Turina <\/b> (1882-1949)
<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
<\/span><\/font><\/td>\nDanzas fantasticas, Op. 22<\/span><\/font><\/b><\/td>\n15:45<\/span><\/font><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\nFor Orchestra<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\nA mi mujer<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
1<\/font><\/td>\nI<\/font><\/td>\nExaltaci\u00f3n. Lento – Vivo – Poco meno – Vivo – Poco meno – Vivo – Lento-<\/font><\/td>\n5:37<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
2<\/font><\/td>\nII<\/font><\/td>\nEnsue\u00f1o. Cadencia ad libitum – Moderato – Allegretto casi Andantino – Tempo I. Moderato –<\/font><\/td>\n5:34<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
3<\/font><\/td>\nIII<\/font><\/td>\nOrg\u00eda. Allegretto mosso quasi allegro – Pi\u00f9 vivo –<\/font><\/td>\n4:27<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
<\/span><\/font><\/td>\nPoema en forma de canciones, Op. 19<\/span><\/font><\/b><\/td>\n10:58<\/span><\/font><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
4<\/font><\/td>\nI<\/font><\/td>\nDedicatoria. Allegro – Allegretto – Tempo I – Cediendo –<\/font><\/td>\n2:37<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
5<\/font><\/td>\nII<\/font><\/td>\nNunca olvida\u2026. Andante<\/font><\/td>\n1:51<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
6<\/font><\/td>\nIII<\/font><\/td>\nCantares. Allegro vivo – Allegretto – Allegro vivo<\/font><\/td>\n2:05<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
7<\/font><\/td>\nIV<\/font><\/td>\nLos dos miedos. Andantino casi andante – Allegretto – Andantino casi andante – Mas lento<\/font><\/td>\n2:55<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
8<\/font><\/td>\nV<\/font><\/td>\nLas locas por amor. Allegro con brio<\/font><\/td>\n1:20<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nClara Mouriz<\/B> mezzo-soprano<\/span><\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
9<\/span><\/font><\/td>\nSaeta en forma de Salve a la Virgen de la Esperanza, Op. 60<\/span><\/font><\/b><\/td>\n3:34<\/span><\/font><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\nAndante<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nClara Mouriz<\/B> mezzo-soprano<\/span><\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
10<\/span><\/font><\/td>\nFarruca from ‘Triptico’, Op. 45<\/span><\/font><\/b><\/td>\n3:01<\/span><\/font><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\nFor voice and orchestra<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\nAllegretto mosso – Poco pi\u00f9 lento<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nClara Mouriz<\/B> mezzo-soprano<\/span><\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
<\/span><\/font><\/td>\nRitmos, Op. 43<\/span><\/font><\/b><\/td>\n15:04<\/span><\/font><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\nFantasia coreogr\u00e1fica<\/i><\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
11<\/font><\/td>\n<\/font><\/td>\nPreludio. Lento<\/font><\/td>\n2:08<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
12<\/font><\/td>\n<\/font><\/td>\nDanza lenta. Andantino –<\/font><\/td>\n1:54<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
13<\/font><\/td>\n<\/font><\/td>\nVals tr\u00e1gicao. Allegretto – Moderato – Vivo –<\/font><\/td>\n2:58<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
14<\/font><\/td>\n<\/font><\/td>\nGarrot\u00edn. Allegretto ritmico – Pi\u00f9 mosso – Tempo I. Allegretto ritmico –<\/font><\/td>\n3:34<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
15<\/font><\/td>\n<\/font><\/td>\nIntermedio. Lento<\/font><\/td>\n1:30<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
16<\/font><\/td>\n<\/font><\/td>\nDanza ex\u00f3tica. Moderato – Allegro<\/font><\/td>\n2:57<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
<\/span><\/font><\/td>\nSinfonia sevillana, Op. 23<\/span><\/font><\/b><\/td>\n22:26<\/span><\/font><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\nA Jos\u00e9 Mas<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
17<\/font><\/td>\nI<\/font><\/td>\nPanorama. Andante – Allegretto – Andante – Allegro molto moderato –<\/font><\/td>\n7:24<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
18<\/font><\/td>\nII<\/font><\/td>\nPor el r\u00edo Guadalquivir. Andante – Allegretto – Andantino mosso – Tempo I. Andante –<\/font><\/td>\n7:07<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
19<\/font><\/td>\nIII<\/font><\/td>\nFiesta en San Juan de Aznalfarache. Allegro vivo – Siempre vivo – Andante – Tempo I. Vivo – Andante –<\/font><\/td>\n7:44<\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/font><\/td>\n71:27<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nBBC Philharmonic<\/b> <\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nJuanjo Mena<\/B> <\/span><\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nRecorded in: <\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nMediaCity UK, Salford <\/font><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n9 December 2011 (Danzas fant\u00e1sticas), 27 January (Sinfon\u00eda sevillana) and 21 June 2012 (other works)<\/font><\/td>\n<\/font><\/u><\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nProducer(s)<\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nRalph Couzens (Executive)<\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nBrian Pidgeon <\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nMike George <\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nSound Engineer(s)<\/b><\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nStephen Rinker <\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nDenise Else (Assistant: 9 December 2011 & 27 January 2012)<\/td>\n<\/tr>\n<\/table>\n\n\n
\u00a0<\/td>\nCelia Hutchison (Assistant: 21 June 2012)<\/td>\n<\/tr>\n<\/table>\n

<\/p>\n\n\n
\u00a0<\/td>\nFormat:<\/b> Digital CD 16Bit 44.1Khz
Originally recorded in: 24Bit 96Khz<\/td>\n<\/tr>\n<\/table>\n


<\/font><\/td>\n<\/tr>\n<\/table>\n<\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Clara Mouriz (mezzo-soprano)
\nBBC Philharmonic
\nJuanjo Mena<\/p>\n","protected":false},"author":6,"featured_media":21,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-20","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-discografia"],"_links":{"self":[{"href":"https:\/\/juanjomena.com\/en\/wp-json\/wp\/v2\/posts\/20"}],"collection":[{"href":"https:\/\/juanjomena.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juanjomena.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juanjomena.com\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/juanjomena.com\/en\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":10,"href":"https:\/\/juanjomena.com\/en\/wp-json\/wp\/v2\/posts\/20\/revisions"}],"predecessor-version":[{"id":841,"href":"https:\/\/juanjomena.com\/en\/wp-json\/wp\/v2\/posts\/20\/revisions\/841"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juanjomena.com\/en\/wp-json\/wp\/v2\/media\/21"}],"wp:attachment":[{"href":"https:\/\/juanjomena.com\/en\/wp-json\/wp\/v2\/media?parent=20"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juanjomena.com\/en\/wp-json\/wp\/v2\/categories?post=20"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juanjomena.com\/en\/wp-json\/wp\/v2\/tags?post=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}