Author Archives: Georgina Williamson

“A remarkable burst of eloquent music-making” in Baltimore starts Juanjo Mena’s 2015-16 North American season

The public were treated to “playing of abundant finesse and color throughout” in Juanjo Mena’s return to the Baltimore Symphony Orchestra, with a programme of Prokofiev, Glazunov and Beethoven.

You can read the full reviews here:

Tim Smith, The Baltimore Sun

Robert Battey, The Washington Post

“The audience was suitably dazzled” after Juanjo Mena’s last concert of the season

Juanjo Mena’s busy 2014-15 season came to a close last week with Messiaen’s Turangalîla Symphony at the BBC Proms, which was “exhuberantly performed” by the BBC Philharmonic. You can listen to John Foulds’ “Three Mantras” here, and Messiaen’s Turangalîla Symphony here.

You can read the full online reviews here:

Frances Wilson, Bachtrack

Bernard Hughes, The Arts Desk

 

 

“Juanjo Mena leads dynamic Pittsburgh Symphony performance”

“The sheer energy generated by this exciting conductor in Estancia’s final dance was one of the most exhilarating orchestral experiences in my recall”
(Robert Croan, Pittsburgh Post-Gazette)
“Mena was wonderfully evocative…. taking time for swells of sound to carry the audience along.”
(Mark Kanny, Trib Total Media)

The Pittsburgh Symphony received favourable reviews following their recent performances conducted by Juanjo Mena, which conclude the busiest North American season of his career to date.

You can read the full reviews here:

Robert Croan, Pittsburgh Post-Gazette

Mark Kanny, Trib Total Media

Listen to the BBC Philharmonic’s performance of Beethoven’s ‘Fidelio’

Juanjo Mena led the BBC Philharmonic in a high-voltage performance of Beethoven’s only opera at Manchester’s Bridgewater Hall, and the concert was greeted with highly favourable reviews.  You can listen to the performance on BBC Radio 3 at 14:00 UK time on Thursday 21st May, and it will be available here until 21st June.

You can read the full reviews here:

The Guardian, Tim Ashley

Manchester Evening News, Robert Beale

Bachtrack, Andrew King

 

Juanjo Mena with the Montreal Symphony Orchestra: “Tchaïkovski comme des grands!”

“Something happened at the Maison Symphonique on Thursday evening…. the musicians [of the Montreal Symphony Orchestra] were in the hands of the Basque conductor Juanjo Mena, who commanded a dionysian vision of Tchaikovsky’s 5th Symphony that everyone seemed to be waiting for.”

“I can honestly say that I’m unable to remember a comparable performance by the OSM at the Maison Symphonique.”

(Christophe Huss, Le Devoir)

You can read the full review in French here.

“Fine Cleveland Orchestra debuts by conductor Juanjo Mena and violinist Alina Ibragimova light up Sibelius-Schoenberg bill”

“Mena led an intense and balanced performance, allowing each facet of Sibelius’ argument to present itself as if it were a naturally occurring phenomenon, and maintaining good control without overdriving the music. The orchestra played with commitment and an ample measure of warmth and sonic richness that made this concert opener especially satisfying.”

“Mena rose to the occasion, holding it all together without sacrificing the organic unfolding of the tone poem’s narrative.”

“The result was a first-rate performance that deserved more than the polite applause that a somewhat restless audience gave it.”

(Mark Satola, www.cleveland.com)

“Juanjo Mena and Alina Ibragimova make exhilharating debuts with The Cleveland Orchestra”

“There were three big works on the program and conductor, soloist and orchestra were a good match for all of them.”

(Timothy Robson, Bachtrack)

“Juanjo Mena led The Cleveland Orchestra in a lustrous and well-paced excursion through Schoenberg’s score, terracing its climaxes and relaxing its pace to let dozens of lyrical solos shine through.”

(Daniel Hathaway, clevelandclassical.com)

You can read the full reviews here:

Mark Satola, cleveland.com

Timothy Robson, Bachtrack

Daniel Hathaway, Cleveland Classical

 

Standing ovations in New York!

2015 got off to a cracking start for Juanjo Mena, with standing ovations in the Avery Fisher Hall after his debut concerts with the New York Philharmonic.

“Focus, Flexibility and Calm Lucidity”

“Juanjo Mena led the program with brisk efficiency and lightness of texture”

“the orchestra obliged with bright playing and an energy that remained dignified”

(Zachary Woolfe, The New York Times)