Author Archives: Georgina Williamson

Pierné: Orchestral Works, Vol. 2

This is the eagerly awaited second volume of orchestral works by Pierné, played by the BBC Philharmonic under Juanjo Mena and featuring Jean-Efflam Bavouzet. The first volume, released five years ago, proved ‘a delectable aperitif’ (American Record Review).

More successful than his older rival Debussy in the early twentieth century, the composer Pierné deserves to be better known nowadays. This recording features some of his most virtuosic and yet mysterious pieces, which place him at the frontier between romantic (Liszt, Saint-Saëns, Franck) and impressionist (Ravel, Debussy) influences.

Jean-Efflam Bavouzet, who is often praised for his expressive power and fine technique, here takes on the challenge of bringing such mercurial inventions as the Fantaisie-Ballet or Poème Symphonique to much-deserved recognition.

Les Cathédrales and Paysages franciscains are later works (1915 and 1919, respectively), and while the former evokes scenes of devastation during World War IMaría Espada (soprano), Martin Roscoe (piano), BBC Philharmonic, Juanjo Mena, the latter offers more airy and impressionist music, with obvious signs of ‘modern’ influences.

Tracks

Gabriel Pierné (1863-1937)

Paysages franciscains, Op. 43 (1919) 18:41
1 I Au jardin de Sainte Claire (Couvent de Saint Damien). Andantino – Très calme 4:33
2 II Les Olivaies de la plaine d’Assise (Crépuscule d’automne). Modéré – Tranquillo – Tempo I – 5:21
3 III Sur la route de Poggio-Bustone (La Procession). Modéré 8:37
BBC Philharmonic
Juanjo Mena

4 Les Cathedrales (1915) 9:41
Prélude pour le poème dramatique de M. Eugène Moraud
Version without Chorus
À Camille Chevillard
Lento non troppo – [ ] – Tempo I (calme, mais sans lenteur) –
Andante – Allegro vivo – Un poco menos vivo – Allegro vivo
BBC Philharmonic
Juanjo Mena

5 Scherzo-Caprice, Op. 25 (1890) 8:00
Valse symphonique
for Piano and Orchestra
À Madame Caroline de Serres (C. Montigny-Rémaury)
Tempo di Valse – Meno vivo, ma pochissimo – Vivamente –
Jean-Efflam Bavouzet piano
BBC Philharmonic
Juanjo Mena

6 Poeme symphonique, Op. 37 (1901) 12:52
for Piano and Orchestra
À Édouard Risler
Allegro moderato – Andante molto tranquillo – Allegro –
Jean-Efflam Bavouzet piano
BBC Philharmonic
Juanjo Mena

7 Fantaisie-Ballet, Op. 6 (1886) 11:24
for Piano and Orchestra
À Madame Caroline de Serres (C. Montigny-Rémaury)
Andante maestoso – Allegro moderato – Allegro vivo –
Jean-Efflam Bavouzet piano
BBC Philharmonic
Juanjo Mena

8 Nocturne en forme de valse, Op. 40 No. 2 (1903) 7:33
from Trois Pièces formant suite de concert
À Joh. Wyman
Mouvement de Valse lento – Tempo un poco animato –
Jean-Efflam Bavouzet piano

9 Etude de concert, Op. 13 (1887) 3:53
À Louis Diémer
Vivace – Un poco meno presto – Tempo I –
Jean-Efflam Bavouzet piano

TT 72:58

Recorded at MediaCity UK, Salford
17-19 July 2014

Producers
Ralph Couzens (Executive)
Mike George

Sound Engineers
Stephen Rinker
Chris Hardman (Assistant)

Format: Digital CD 16Bit 44.1Khz
Originally recorded in: 24Bit 96Khz

www.chandos.net

“A remarkable burst of eloquent music-making” in Baltimore starts Juanjo Mena’s 2015-16 North American season

The public were treated to “playing of abundant finesse and color throughout” in Juanjo Mena’s return to the Baltimore Symphony Orchestra, with a programme of Prokofiev, Glazunov and Beethoven.

You can read the full reviews here:

Tim Smith, The Baltimore Sun

Robert Battey, The Washington Post

“The audience was suitably dazzled” after Juanjo Mena’s last concert of the season

Juanjo Mena’s busy 2014-15 season came to a close last week with Messiaen’s Turangalîla Symphony at the BBC Proms, which was “exhuberantly performed” by the BBC Philharmonic. You can listen to John Foulds’ “Three Mantras” here, and Messiaen’s Turangalîla Symphony here.

You can read the full online reviews here:

Frances Wilson, Bachtrack

Bernard Hughes, The Arts Desk

 

 

“Juanjo Mena leads dynamic Pittsburgh Symphony performance”

“The sheer energy generated by this exciting conductor in Estancia’s final dance was one of the most exhilarating orchestral experiences in my recall”
(Robert Croan, Pittsburgh Post-Gazette)
“Mena was wonderfully evocative…. taking time for swells of sound to carry the audience along.”
(Mark Kanny, Trib Total Media)

The Pittsburgh Symphony received favourable reviews following their recent performances conducted by Juanjo Mena, which conclude the busiest North American season of his career to date.

You can read the full reviews here:

Robert Croan, Pittsburgh Post-Gazette

Mark Kanny, Trib Total Media

Listen to the BBC Philharmonic’s performance of Beethoven’s ‘Fidelio’

Juanjo Mena led the BBC Philharmonic in a high-voltage performance of Beethoven’s only opera at Manchester’s Bridgewater Hall, and the concert was greeted with highly favourable reviews.  You can listen to the performance on BBC Radio 3 at 14:00 UK time on Thursday 21st May, and it will be available here until 21st June.

You can read the full reviews here:

The Guardian, Tim Ashley

Manchester Evening News, Robert Beale

Bachtrack, Andrew King

 

Juanjo Mena with the Montreal Symphony Orchestra: “Tchaïkovski comme des grands!”

“Something happened at the Maison Symphonique on Thursday evening…. the musicians [of the Montreal Symphony Orchestra] were in the hands of the Basque conductor Juanjo Mena, who commanded a dionysian vision of Tchaikovsky’s 5th Symphony that everyone seemed to be waiting for.”

“I can honestly say that I’m unable to remember a comparable performance by the OSM at the Maison Symphonique.”

(Christophe Huss, Le Devoir)

You can read the full review in French here.

“Fine Cleveland Orchestra debuts by conductor Juanjo Mena and violinist Alina Ibragimova light up Sibelius-Schoenberg bill”

“Mena led an intense and balanced performance, allowing each facet of Sibelius’ argument to present itself as if it were a naturally occurring phenomenon, and maintaining good control without overdriving the music. The orchestra played with commitment and an ample measure of warmth and sonic richness that made this concert opener especially satisfying.”

“Mena rose to the occasion, holding it all together without sacrificing the organic unfolding of the tone poem’s narrative.”

“The result was a first-rate performance that deserved more than the polite applause that a somewhat restless audience gave it.”

(Mark Satola, www.cleveland.com)

“Juanjo Mena and Alina Ibragimova make exhilharating debuts with The Cleveland Orchestra”

“There were three big works on the program and conductor, soloist and orchestra were a good match for all of them.”

(Timothy Robson, Bachtrack)

“Juanjo Mena led The Cleveland Orchestra in a lustrous and well-paced excursion through Schoenberg’s score, terracing its climaxes and relaxing its pace to let dozens of lyrical solos shine through.”

(Daniel Hathaway, clevelandclassical.com)

You can read the full reviews here:

Mark Satola, cleveland.com

Timothy Robson, Bachtrack

Daniel Hathaway, Cleveland Classical